16 877 безкоштовних аудіофайлів для "Midi Files Of Musical Intervals"

Symmetrical four-semitone tritone scale on C

Four-semitone tritone scale on C

Modes of limited transposition scale 7 first mode

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Persian scale on C.

Violoncello chord on D.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Major triad on C in first inversion.

Lydian augmented scale on C.

Major triad on F in second inversion

D-over-F-sharp slash chord.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

D chord in drop D tuning.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

Diatonic scale on C, transposing clef.

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

In scale on D.

G major chord, root in red.

Diatonic scale on C, bass clef.

Major triad on F in first inversion

Istrian mode on C

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Dominant eleventh without third.

Diatonic scale on C, guitar tablature clef.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Major triad on C in second inversion.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Minor chord on A.

Minor major sixth chord on C.

Minor chord on C

Created by Hyacinth (talk) using Sibelius.

Lydian dominant scale on C.

Iidim6 chord in C.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Algerian scale. No pitch bend.

*Orwell comma on C. 1728:1715 = 13.07 cents. Limit: 7-limit.

*Semicomma on C. 2109375:2097152 = 10.06 cents. Limit: 5-limit.

*Undecimal diesis on C. Just: 45:44 = 38.91 cents. Limit: 11-limit.

Major scale on A.

Traditional Thai 7-tet subset pentatonic mode 1: 1, 2, 3, 5, 6. Beginning on middle C.

A harmonic minor scale.

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

*Breedsma on C = E♭♭♭+. Just: 2401:2400 = 0.72 cents. Limit: 7-limit. MIDI pitch bend: 30,64

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

*Ragisma on C = C♯-. 4375:4374 = 0.396 cents. Limit: 7-limit. MIDI pitch bend: 16,64 SAME PITCH BEND AS File:Decameride on C.mid

E natural minor scale ascending and descending.